The Carlos de Antwerp Museum joins the Flemish painting offer in Madrid

The Carlos de Antwerp Museum joins the Flemish painting offer in Madrid

Madrid, Nov 4 (EFE) .- The new “Museo Carlos de Antwerp Madrid, Flemish and Dutch Masters” was born with the intention of telling the public two centuries of European common history and of joining the great offer of flamenco painting that can be find in Madrid.

King Felipe VI will inaugurate tomorrow the new museum, which begins its journey with a vocation for continuity and in which they have gathered, around Rubens’s “The Martyrdom of Saint Andrew”, a piece owned by the Carlos de Antwerp Foundation, works by the best flamenco and Dutch artists of the sixteenth and seventeenth centuries.

Rubens, Van Dyck, Jordaens, Jan Brueghel, Cornelis de Vos, Bernard van Orley, Michaelina Wautier or David Teniers, sign some of the works, which come mostly from the Royal Museum of Fine Arts of Antwerp, which will remain closed until the year 2017 for remodeling works.

This fact “has been fundamental” in the launching of the new museum, commented during the presentation Miguel Ángel Aguilar, president of the Carlos de Antwerp Foundation.

In addition to the loans of the Museum of Antwerp, there are those of the Prado Museum and National Heritage, as well as the National Library and the Custody Foundation that have donated graphic work for the small temporary exhibition dedicated to engravings of male and female nudes by Rembrandt .

The new museum “in the candy store that is the wonderful building where it is” is “a perfect example of what can be an inter-institutional collaboration”, in the opinion of José Luis Díez, director of Royal Collections of National Heritage.

This institution has yielded the tapestry “The funerals of King Turno, killed by Aeneas” which is the only one that remains of the nine that made up the History of Aeneas of Philip II and is attributed to Jan van Roome.

“It is a fantastic piece, of great quality, belonging to one of the most representative collections of National Heritage, such as that of upholstery,” and that has been seen very rarely, said Díez.

Alejandro Vergara, head of Conservation of Flamenco Painting and Schools of the North of the Prado Museum wanted to underline the support of the art gallery for this project with the loan of ten works during a renewable year.

The new museum “is another occasion to be able to see more important works in Madrid, we must celebrate that from now on we will be able to see more works of art”.

The selection criteria of Fernando Checa, patron

of the Foundation and scientific director of the museum, has not only been exhibiting pieces by the great flamenco masters, “but also showing the public the great quality of portraits, mythological works, religious iconography, still lifes, landscapes , genre scenes, and animal representations, that gave life to this school.

The “small but very select museum of flamenco painting” was born with the vocation of being a museum “and not an exhibition, long-term loans will allow this permanence”, according to Checa, for whom the project criteria are based “on highlighting the flamenco painting, the one that more historical relation has had with Spain “.

In his opinion, Madrid is the capital of flamenco painting and art in Europe through the collections of the Prado Museum, the Thyssen Museum and National Heritage “that form an unbeatable whole and the fact that in this small space see more works, fills us with satisfaction. “

The tour of the museum begins with the room dedicated to the landscape and the portrait “with some works that mix both genders”. This space includes paintings by Bernard van Orley, Rubens, Jan Brueghel the Elder, Cornelis de Vos, Anton Van Dyck or Michaelina Wautier, one of the few flamenco painters, of which two works are shown.

Presided over by “The Martyrdom of Saint Andrew” and with the National Heritage tapestry in front, in the Hall of the Chapel there are exhibited the largest paintings devoted to religious painting, such as “The Education of the Virgin” by Rubens, and the mythological painting, represented, among others, by “The Dream of Venus” by Jacob Jordaens.

The third space is formed by paintings of smaller formats “in allusion to cabinet and genre painting” such as small-format landscapes, still lifes, market scenes with the presence of authors such as David Teniers, Joos Van Craesbeeck, Frans Snyders or Jan Fyt.

Rousseff presents her allegations to avoid her dismissal

The president of Rio has the difficult task of convincing a Senate that she has against her

Image result for dilma rousseffThe president of Brazil, Dilma Rousseff , suspended from his duties since last May, is already prepared for the appearance of this Monday in the Senate in which he will defend himself in person in a last attempt to avoid his imminent dismissal.

This will be the first time that Rousseff has come to Parliament since the impeachment proceedings against him began last December to refute the charges against him, a series of maneuvers with which the fiscal accounts of 2015

These alleged irregularities refer to three decrees that modified the budgets without authorization from Congress and the delay in deposits to the public bank, which, according to the accusation, amounts to the granting of loans to the Government, something that is prohibited by the Brazilian Constitution. .

The prosecution considers that these operations represent a “crime of responsibility”, which the Constitution considers as a reason for the dismissal of a head of state, but the defense denies any irregularity and argues that all the presidents of the democratic era made similar maneuvers.

The fate of the first woman president of Brazil is in the hands of 81 senators, and if 54 of them – two thirds of the upper house – vote in favor of his dismissal, he will lose the position, which would go to his former vice president, Michel Temer, who has been the head of the State on an interim basis since May 12.

In that case, Temer would remain in power until January 1, 2019, when he would hand over the position to the winner of the elections scheduled for October 2018, but if the Senate votes in the opposite direction, Rousseff would regain the Presidency immediately.

 If 54 of the 81 senators vote in favor of the dismissal Rousseff will be definitively dismissed from office 

The change in the Presidency would also mean a strong political turnaround, which has already been palpable in these months, since Rousseff defended a strong social spending and the Government of Temer prepares drastic budget cuts, privatizations and cuts in labor rights to deal with the deep recession that crosses the country.

Most of the 81 senators have already expressed their conviction that Rousseff incurred in the irregularities imputed to him, and, in fact, in the two previous votes that were held in the upper house in previous phases of the process, two thirds were exceeded. , with 55 votes in the first and 59 in the second.

The session in which Rousseff will appear is expected long and start at 09.00 (12.00 GMT) with a statement from the president, which will last half an hour and could be extended another half with the permission of the president of the Supreme Court, Ricardo Lewandowski, who chairs the impeachment as constitutional guarantor.

Then a question-and-answer session begins, in which all senators have the right to speak for five minutes while Rousseff has no limit to state his arguments.

A debate to take place

Image result for debateThen there will be a debate in which all the senators will be able to speak for ten minutes and in which the accusation and defense will present their final arguments for an hour and a half, before the final vote takes place, which could take place between Tuesday and Sunday. on Wednesday.

The senators opposed to Rousseff held preparatory meetings on Sunday and said they intend to ask technical questions, restricted to the maneuvers for which he is accused, but warned that they will be belligerent if the president “provokes” them.

These would understand as a provocation any allusion that the process involves a “coup d’état”, a thesis that Rousseff has defended insistently, or if it brings out the corruption scandal in Petrobras, for which a good part of the senators are investigated. and deputies from all over the parliamentary arch.

The suspended president wants to go to the Senate accompanied by her political godfather and predecessor in office, Luiz Inácio Lula da Silva, and protected by the social movements that will be concentrated at the doors of the legislative headquarters.

On Sunday, these leftist groups held a demonstration in the parking lot of the Nilson Nelson sports hall in the center of Brasilia, in which some 400 people took part, a very small number compared to the demonstrations that occurred in previous months.

The demonstrators carried banners such as “Fuera Temer”, “The blow is against you” and “Do not lose your rights”, and they also placed another sign with the caption “No to the coup d’état” in Eixo Monumental, the main avenue of Brasilia .

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